Written By: Ahti on November 13, 2010 89 Comments
Athletics - Why Aren't I HomeInstead of being overly calculated Athletics created a colorful display of modern rock performed with craftiness and passion. While the album “Why Aren’t I Home?” truly articulates the melodic aspect of the genre, which however is nothing special at all, the band managed to paint the record with different moods and filled it with intimate interludes and instrumental bridges and caps which are stunning and expressed with clarity. Songs are also well-written and narrowed down to the point, with the average length of only 3 or 4 minutes.

“Why Aren’t I home?” was produced by Gregory Dunn from Moving Mountains, the influence both instrumentally and sound wise is captured throughout the record and if we want, we could draw some connection lines here and there. It seems that Moving Mountains has this cult-effect for the generation of post-rock rockers, but then again, I am a fan myself.

To describe the record lyrically, the colors paint the scene of hopelessness and lack of will, even to the point of death. Although I consider the album to be lyrically weak or rushed, it has some poetically minimal pieces which stand out of the bunch, such as “It’s Night, It’s Enough”and cute sounding “Lullaby”.But what’s cool thing about “Lullaby” is that music wise it sounds haunting and terrifying. Score: 7/10
 
 
Written By: Ahti on October 25, 2010 295 Comments
Last Lungs - Look At That Old Grizzly BearDuring last few years we have seen a great number of new bands step in to the post-rock scene. Most of relatively young, still in their teens or in early twentys. Probably the most interesting thing about the situation seems to be that they don’t follow the footsteps of their ancestors, instead they rearranged the playgrounds and noticed new possibilites inside the genre and created a very new and fresh pop sounding way to play instrumental music. Somehow they all simply walked into the community (post-rock) which was thought to be elite and rough alternative form of art music, but more than that, they did it with a certain attitude and arrogance. As Markus, the bassist of Moonlit Sailor, one of the leading forces of the generation, told to me couple of years back: “We are a post-rock band, but we don’t listen to post-rock”. Which might be the case conserning the upcoming brigades of pop instrumental bands.
 
But the case of Last Lungs debute release “Look At That Old Grizzly Bear” isn’t anything out of the ordinary either, consisting of five friends from UK who are greatly influenced by pop-punk in their youth. Just as pop(-punk), the album holds a very clean and pure sound, with the emphasis on melodic expression and guitar graft. Comparing Last Lungs mixture of pop and post-rock to older instrumental rock music, it has basically no dissonance, complexed rhythms or folk instrumentations, which were very common in the scene earlier. On the contrary, the band has a very standard pop/ rock consistency. As if I’m listening to pop without words, it’s so simple that it actually works. The most important thing seems to be to experience the beauty of music and accentuate the texture and atmoshpere. “Look At That Old Grizzly Bear” is more than appropriate to bridge these two, esthetics of ambient and principles of pop and rock. The album leaves the listener with a bit more thoughtful note, offering a breathtaking group-vocal performance which plays with elegance and and style. Score: 8/10
 
 
Written By: Ahti on August 3, 2010 391 Comments
Castevet - The Echo & The Light “I can fancy a man who had led a perfectly commonplace life, hearing by chance some curious piece of music, and suddenly discovering that his soul, without his being conscious of it, had passed through terrible experiences, and known fearful joys, or wild romantic loves, or great renunciations” -Oscar Wilde
 
“The Echo and the Light” holds an everlasting peace of mind that comes with time, the pleasant effect stays with a bittersweet wave of nostalgia, and instead of casual good-bye’s it produces a sense of holding on to ones memories. They are most definitely part of the 90’s punk/ emo culture, but are opening up to a much more varied set of instrumentation than their predecessors. The record somewhat redefines the sub-genre, producing the sound carefully between traditional and modern use of instruments and gathering influence from older punk, emo, indie-rock and early steps of post-rock. Not to mention the emphasis and core of Castevet, the crunchy voice behind it all, painting simple, yet passionate melodies and lyrics.
 
It may be hard to decide whether “The Echo and the Light” is a concept album or not, as it lacks a clear storyline, but at the same time is really comfortable to follow by the recurring mood and repeating themes of the record. Lyrically, its a beautifully crafted piece, anchored by remenessing about older, and possibly better times. But at the same time having a greater sense of hope and happiness. To me it seems that the beginning of the album “Six Parts Summer” and the ending “Cities and Memory”are the highlights of this release, definitely worthy to check out even if you’re not a fan of the genre.
 
All in all, Chicago’s Castevet has released a remarkable album. One may consider punk as a genre which time and place occurred couple of decades ago, but Castevet proves the quality of old-school punk in a modern context, turning it into newer and fresher shape. Possibly greatest thing about the record is that its current, it’s happening as we speak. Castevet is an ageless journey, a bridge between then and now. Fans of American Football, Mineral, Appleseed Cast and Minus the Bear should be psyched.

Score: 9/10

Written By: Jim on June 23, 2010 2,932 Comments
Man Overboard - Real TalkToo often I hear “this pop punk band would be great in 2002″ and every time I hear that I end up feeling a little upset because it’s like saying “if pop punk was cool today I’d listen to this band”. I guess pop punk is out of style for some people but thankfully there are bands trying to defend what it stands for, like Man Overboard. Man Overboard is a rather simple band with simple idea of how to play music – just keep it real. Keep it real and you will get real fans and create a strong bond between them and the band, where the fans mean as much to the band as the music means to the fans. And with such a standpoint, Man Overboard has proved real pop punk is still alive and well.

After signing to Run For Cover Records late last year, Man Overboard has been very active with releases that include a split with Transit, a christmas song called “Decemberism”, a digital ep called “Dahlia”, an acoustic ep called “Noise From Upstairs”, and a collection of old (“Hung Up On Nothing” EP) and unreleased songs called “Before We Met”. They haven’t taken a break, which is why everywhere you turn, Man Overboard is on everyone’s lips and playlist. Witha raw passionate DIY feeling to their music, they haven’t released a single bad song yet in my opinion. Which is why when I heard they would release their debut full length album on July 20th, I was ever so excited. The only concern I had was that they probably had more money now to use to make their sound 100% pristine in the studio, so I thought it might end up overproduced like so many other bands having great eps to later have a debut album that loses the sound that made them great in the first place.

Luckily, “Real Talk” doesn’t fall into that trap as Man Overboard have stayed true to themselves and their fans. They have only enhanced their sound, but without losing their touch. It’s still fast paced, well played punk rock but in a bit more matured, and when I say matured I mean song writing than some of the “Before We Met” tracks. “Real Talk” is a 33 minute long journey of how good pop punk with alternating vocals and sing-alongs should be played. And once again, there’s not a single bad song on this record. Every next song is as powerful as it’s predecessor and every instrument is used to the max. You can feel every drumbeat and guitar line just as well as Nik’s and Zac’s vocals, which are absolutely stellar in their own right.

The title track “Real Talk” is the first song to blast off this album witha high-tempo and aggressive approach which is an instant hit for me. With the high-pitched guitar in the background and alternating vocals there’s no wonder I fell in love with this one right away. The heavy drums contribute to the aggressive sound and I especially love the middle part of this song as it goes from heavy and fast to heavier and faster. Following are “World Favorite” and “Fantasy Girl” which have the beloved Man Overboard sound with tempo-changes, sing-alongs, and catchy melodies. I think either track could be break out songs because their choruses are sure to hook absolutely everyone in.”Bruised Up” departures a bit from the rest of “Real Talk” as it is a fast punk rock song with the music being the center of attention and not the vocals, where the drums and guitars are what you notice first and then vocals. It feels more like the old kind of punk but with the little twist that only Man Overboard can pull off, in other words it’s another awesome song.

The middle of the record doesn’t stray away from the awesomeness at all, as “Darkness, Everybody” and “She’s Got Her Own Man Now” deliver more of the same dual vocals and catchy hooks that you have come to expect by now. I must say that this record offers up some of the best alternating vocals since Taking Back Sunday’s 2002 classic “Tell All Your Friends”. “Al Sharpton” is just as kickass as it’s title. It has the fast paced drumming and commanding guitars that underscore the chorus “I pretend that I’m already someone and all my problems faded away, whoa oh oh oh…”. I have a feeling this one is going to be blast to play and sing-along with at their shows. Rounding out the middle, “Montrose” is a good example that proves they haven’t changed their sound much at all on this record because it sounds exactly like it did on “Dahlia”, just a bit more polished, and I’m perfectly fine with that.

The album ends just the way it started — with a bang. Everyone is going to love “FM Dial Style”, it sounds like a good song to play when you are with your girlfriend or boyfriend, so I think many people are going to enjoy it. It’s hard to pick a favorite song from this record because honestly they are all great but “I Like You” is the song that gives me goosebumps when they sing the “Im finally! layin somewhere where I’m happy that I’m here…” up to “I’m in it for the long hall!”. Any song that can bring in the goosebump factor is perfect for me just as “Arlington Drive” and “Dear You” have given me in the past. “Septemberism” is another solid song that is on the RFC Spring Sampler but love the intensity of the chant “I hate you, you shoulda picked up the phone tonight!”. The last song on the record is “Sidekick”, a ballad and is a perfect ending to a perfect album. If you listened to the acoustic ep “Noise From Upstairs” you’ll know what kind of ballad I am talking about. The gentle acoustic music making room for the passionate vocals and where the lyrics flows from your headphones into your veins and making you sing along to “We could be untouchable” chorus and making you feel like your in the band, like you’re in the studio making this song and singing it. That’s another talent Man Overboards possess making you feel like you’re one with the music. Having “Real Talk” as a perfect opener “Sidekick” is just as perfect to end this album.

I fell in love with each and every song on “Real Talk” as they all are different yet they all are pop punk, but different as some are heavy, some are more old-school and some are modern. I’m glad there are still bands out there defending pop punk, staying true to music and the fact this band is like a machine pumping out song after song and still sounds original and unique is beyond amazing. They can’t get enough of making music and I can’t get enough listening to their music, this is Real Music this is Man Overboard’s Real Talk. Score: 9/10

Written By: Jim on June 13, 2010 108 Comments
I Call Fives - Bad Advice (EP) In today’s world of music, in order to make it big you’ll need to focus on one thing, and one thing only, and that is the music. This young quintet from NJ did just that by dropping out of school, changing members, and just restructuring their entire lives to make room for the music they create. I am talking about I Call Fives, a band who gained a lot of hype and has been on everyone’s lips ever since the announcement of their latest EP called Bad Advice.
 
Bad Advice is six tracks of catchy straight-forward pop punk produced by Kory Gable (Strike Anywhere, The Dangerous Summer). As bassist Drew Conte said, “We wrote about stuff that is real to us and Bad Advice is the result” and maybe that is why Bad Advice has been well precieved among fans and other zines.
 
Bad Advice clocks just under 18 minutes and kicks off with the song “Hand Me Down Luck”, but I must say the song is very dull and is more or less just flat compared to the rest of the songs on the EP. The second track, “Elevator Music” would probably be a better starting position as it exhibits everything I Call Fives is about. It begins with the catchy hook “I hope this song is the elevator music, on your way to hell…” and lures you into the rest of song. Moving on to the third track I can finally feel what Drew Conte said about keepin’ it real because “Try Hard To Remember” is a song that feels very DIY and keepin’ it real to yourself and your fans. With a strong opening of heavy-hitting drums and then catchy unforgettable melody this song reminds me of the The Wonder Years and their never ending feel good choruses. The stand out track for me is the last track “Take the Fall”, with it’s beautiful acoustic build up and a strong explosive ending like a cannonball of energy that bursts and fills your eardrums but sadly that only lasts for 10 seconds.
 
Unfortunately I do not love Bad Advice as much as I was hoping after hearing the First Things First EP and reading about them. This EP just it did not blow me away, instead it felt like I have heard it all before. That being said, Bad Advice is a solid output that should have a place on your playlist because their music is catchy pop punk indeed, but sometimes that is just not enough. Score: 5/10
 
 
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